After a lifetime treading the  boards of musical amateur  theatre Tom Mair is bowing out.

And it would appear his love of musical theatre  is something of a family affair.

Together with wife Shirley the pair, formerly of  Lindley, have nurtured a life long passion for  the arts and spent more than 40 years – both  on and off stage – with Longwood Amateur  Operatic Society.

“In those days we met at Longwood Mechanics  Hall. We had our own band, did our own  scenery. We had about 50 members,” said Tom,  80, who has recently stepped down as the  society’s president.

And due to his previous stage roles with  Marsden Amateur Operatic and Dramatic  Society Tom swiftly became immersed in the  society and in his words ‘was hoisted onto the  committee’.

Numerous productions followed before a  change in venue – to a former Gentlemen’s  establishment – on Venn Street saw the curtain  go up on a production of Irene in 1987.

When the society later moved to perform at the  then newly-built Lawrence Batley Theatre it was  an off-the-cuff remark which Shirley said  summed up her husband’s talents.

“I played  in Show Boat and the directors of the  company I was working for at the time were in  the audience. Afterwards one of them said,  ‘What’s Tom doing working for us when he can  sing like that.”

But despite his obvious talent Tom never felt  compelled to turn professional and Shirley says  he is actually shy off stage which perhaps  stopped him to pushing the West End stage.

“An agent saw me on stage and gave me his  card, he was based in Hull but I never phoned  him.

“Shirley wanted me to give it a go in London  before we had the children but I was more  cautious.”

Instead Tom took ‘the safe’ option as he put it,  and juggled his career – rising the ranks in sales  roles in the textiles industry before becoming a  director – alongside his hobby and passion for  musical theatre.

Music was clearly a constant in his life from  early on.  He affectionately recalls when he was  a young curly haired boy   being placed on the  fish shop counter to sing by his mother, who  was an excellent contralto herself.

Later   the family moved to Slaithwaite due to  his father’s job as a policeman. There,  after only  six singing lessons,  his teacher told him: “You  don’t want to be a singer, you’re a crooner’,  much to his delight and dismay of his mother an excellent contralto.

In his 20s, after a stint with Colne Valley Music  Choir –   he was  one of their youngest members  – Tom joined Marsden Amateur Operatic and  Dramatic Society, the start of a 50 year  association with amateur operatics in  Huddersfield.

He took on variety of roles, both lead parts and  chorus lines, before  joining Longwood.

But Tom’s fate could have been very different  after contracting  polio during the epidemic in  1949.

“There were four boys in the area who had  polio. Two died, one was in a wheelchair. Tom  was the only one who managed to keep going,”  said Shirley.

Tom  was paralysed down his left side by the  disease and vividly remembers being confined  in Mill Hill Hospital, then an isolation hospital.

“I spent a lot of time in Mill Hill. There was a  boy in the next cubicle in an iron lung.

“It was terrifying hearing this thing clanking up  and down. In the middle of the night, the iron  lung stopped and he had died.”

After some ‘tough love’ from Shirley, the rock  whose support he says has enabled him to do so  much in life, he was cajoled ‘to get a grip on life  again’.

When they had children they both went to  different societies – Tom to Woodhouse and  Shirley to Lindley – to ensure babysitting  duties were covered.

But as their children grew up they were  reunited on stage once more – often played  opposite each other –  creating a friendly  society which thrived.

Shirley, who directed her first production for  Longwood, Underneath The Arches in 1986,  said: “It was a case of everyone mucked in.

Tom added: “I’ve been a great believer in  getting the youngsters involved.

“I played Pontious Pilate in Jesus Christ  Superstar at the LBT in 2005.

“It was so well received with great reviews and  to see the audiences’ enjoyment, I just thought  I wanted to go out on a high.”

But he remained as chairman until the mid 90s  when he was appointed president, a capacity   he has held until April.

Tom openly admits in recent years societies are  struggling due to tough economic times.

“Amateur dramatics is constantly raising the  standard and with that comes increased  overheads. It’s more like running a business.  You need an orchestra, royalties and other  costs which run into thousands.

“No one in it wants to admit it but it is tough  times for amateur dramatics.

“We had to look in 2011 at changing the  production due to costs. It is an unknown  future.”

But when he stepped back from himself  appearing on stage he continued to shape  youngsters’ futures both in his own family and  for the society.

Their son Steven and daughter Sue both took   roles with Longwood Amateurs – with Steven  playing many of the parts previously played by  his father and later sharing the stage with wife  Joanne. She later turned professional in her  early teens and her dancing took her all over  the world before she returned to Huddersfield  and married Tony.

But the Mair family’s love of the stage has also  been passed to the third generation with  grandchildren Anna, 21, and Louise, 17,  (Steven and Joanne’s children), and Thomas,  17, and Emily, 14 (Sue and Tony’s children.)

And (keen not to leave anyone out) Steven and  Joanne’s oldest son Simon, 23, is pursuing  other talents and is studying for a PHD in  Surrey.

Anna made her debut lead at LBT in Annie  Get Your Gun aged 10, and has recently  graduated from London Theatre School.  Thomas is studying Film and Media at college  and Louise is  pursuing singing and dancing as  is Emily who is rehearsing for Longwood  Amateurs’ next production Oliver!

Although Tom has now stepped down as  president (but has been made honorary  vice-president), he assisted directors Jane  Davison and Neil Broadbent with auditions for  the October production of Oliver!

“One of the boys asked me if I was Fagin, I  said ‘no, but I wish I was’.

The production will be staged October 1-5 at  LBT.

For more information contact LBT box office  on 01484 430528.